MEMORIES FROM MERIDA

Before I bring you up to date on my time in Mexico, here's a little something that didn't get mentioned while I was in Merida. Mainly, it didn't get mentioned because there is video involved and I just haven't had time to edit it, yet. For now, just let me say that La Bella Durmiente, Featuring the Ballet and Orchestra of Saint Petersburg was moving and impressive.

Video and sketches, maybe even some paintings to come. Anyone interested?

Meanwhile, I'm in Mexico City, the sun is shining and I have much to see and do. So, for now…

Hasta Luego

 

SEVILLANO / Daily Painting #1270

SEVILLANO / Painted on my iPad Air / ArtRage3

Well, Gang, what do you think? Should we give this Flamenco Dancer from Sevilla a dance partner? The way we did the dancing Calaka a while back? I promise it won't take as long this time.

Today was another busy one. Continued working on all that tech stuff from last night. Mainly trying to get my images organized and make room for more. Getting ready for tomorrow, another travel day. More about that tomorrow.

I was finally able to get my return flight rescheduled so I will have at least two days of the Feria de Caballo or Horse Fair, back in Jerez de la Frontera. Without a phone and no office this side of Madrid, that has been a real hassle. But my old pal perseverance won the day.

I got an even better deal on a car rental. I caught a tricky little detail in the fine print in that rental I had lined up a couple of days ago, just as I was about to commit to it. That whole thing has left me here in Sevilla for four days. That four days was not planned, but I am really happy it happened. I do love this city. While, to me, Madrid seems past its prime, dry, dull and rushed, Sevilla, in spite of its age, seems vibrant and alive, yet laid back and unhurried. It is an old city, over two thousand years old. It was ruled by the Romans and later by the Moors, both whom left their mark. This is a great city for walking and for people watching, two things I've been doing a lot of. I've had a great time here, and am sad to leave, but will be back in a few days for the big Feria de Abril and more Flamenco!

By the way, I saw a fabulous Flamenco performance this evening. You'll be hearing more about it in the days ahead.

As I said, tomorrow is a travel day, so I had better get some sleep right now.

¡Hasta mañana!

 

FLAMENCO JEREZ / Daily Painting #1264

Flamenco Jerez / Painted on my iPad Air / ArtRage3

Nah, Still no Flamenco here, due to all the Semana Santa activities. This is done from a photograph I took on my first visit to Jerez de la Frontera, back in 2001. I'm just getting a little anxious, I suppose.

I tried going for a colored inks effect. I'm not too happy with the result. I like Flamenco SMA from a couple of days ago much more than this one. So much still to learn with even this one app.

I'm really excited about the ability to maintain the original sketch with all its searching and wild, uncontrolled exploration of the subject along with the more careful, refined paint application. My early thinking and preliminary work has always been obliterated by the finished work. Except in watercolor, that is, in which, until recently, i did no preliminary drawing just went directly into the painting with no guide lines at all. Then there were the confections. Loose, spirited line drawings with touches of watercolor. Here the original line work remained, however these were more sketches than developed works.

I can hardly wait to see what develops tomorrow.

¡Hasta mañana!

 

BALLET FOLKLORICO / Daily Painting #1153

Ballet Folklórico de México de Amalia Hernández.

Watercolor / 6 x 9 inches

HOW TO BID:

Bidding opens when a painting is posted and ends at midnight one week later (MST) Mountain Standard Time.

Send your bid (Minimum $200.00) by email to: farnsworthgallery@newmex.com

Highest bid wins. In case of a tie for highest bid, the earliest wins. If payment is not made within 1 week, sale goes to second highest bidder. If you do not receive a confirmation, please call 505 982-4561 for assistance.

The winning bidder will be notified by email the following day.

We accept MasterCard, Visa, and American Express.

Winning Paintings will be shipped as soon as the funds clear and the paint is dry. Wet paint can take up to two weeks to be safe for shipping.

If you're not 100% satisfied with your new painting, for any reason, send it back and we will send you a full refund along with a free box of chocolates!

Please consult the artist prior to any reproduction or other use of the image. See also: Use an Image page above.

If you would like some expert help with framing your purchase, just call Thea, 505 982-4561, and she will take good care of you.

Also, please remember that if you would like to:

  • Commission a larger version of your favorite subject,
  • Check on the availability of a given image, or
  • Schedule a workshop

We are just a phone call away, at 505 982-4561, or you can email us at: john@johnfarnsworth.com.

BALLET FOLKLORICO / Daily Painting #1083

Watercolor / 8 x 10 inches

If you would like to own today's painting, send your bid (Minimum $200) in an email to: farnsworthgallery@newmex.com, or call Thea at 505 982-4561.

Please remember that if you would like to:
  • Commission a larger version of your favorite subject,
  • Check on the availability of a given image, or
  • Schedule a workshop

We are just a phone call away, at 505 982-4561, or you can email us at: john@johnfarnsworth.com.

 

NIGHT ROSE Daily Painting #705

NIGHT ROSE

NIGHT ROSE

Oil on Panel / 6 x 6 inches / ©John Farnsworth

If you would like to own this painting, just email your bid to: bid@johnfarnsworth.com

A RARITY (SO FAR)

Flowers are not a frequent subject on this blog. There is no good reason that I can think of. They are fun to paint. They’re popular. I photograph them a lot, and I’ve painted them much more frequently when working in watercolor. We’ll see. Maybe I’ll paint them more often in the year ahead.

 

A POEM

Our dear friend, Kayce Verde, has written a poem in response to yesterday’s sunflower daily photograph:

Summer's Ending

SUMMER’S ENDING

OH, LET ME DIE LIKE A SUNFLOWER, HEAD HUNG DOWN FROM THE WEIGHT BUT STILL ATTACHED TO LIFE!
LET ME REMEMBER HOW ONCE I HELD MY HEAD HIGH FOR ALL TO ADMIRE
REMEMBERING HOW I ALWAYS TURNED AND FACED THE SUN
SO PROUD TO BE HIS NAMESAKE.
LIKE HUMANS I HAVE BEEN ASKED WHAT IS MY FIRST MEMORY?
SURELY IT IS NOT WHEN THE SEED WAS FIRST PLANTED
NOR THE FIRST DROP OF MOISTURE THAT SEEPED INTO THE BROWN EARTH.
NO, SILLY, IT WAS THE FIRST TIME I POKED OUT TO THE LIGHT…THAT BLINDING
AMAZING YELLOW LIGHT WHICH I HAVE ALWAYS ACKNOWLEDGED IN MY SHORT LIFE,
ALWAYS LOOKED UP TO!
YO SOY UN FLOR DEL SOL!

Primo, See what your photos evoke? Just couldn’t help myself or maybe it’s just the memory of Thea’s garden, quien sabe? Kayce

Thanks, Kayce Prima

 

PELICAN BALLET Daily Painting #1,674

 

PELICAN BALLET

PELICAN BALLET

On the Jim Cline Photo Tour, several years ago, we spent an afternoon in Ensenada, Baja California, in the fish market and on a tour of the harbor. It was on the harbor excursion that I caught this performer. I am fascinated by Pelicans and would like to spend more time photographing them.

THE CHURCH AT SAN JOSÉ DEL VADO Daily Painting #643

ADOBE CHURCH AT SAN JOSE DEL VADO

THE CHURCH AT SAN JOSÉ DEL VADO

Oil on Panel / 6 x 6 inches / ©John Farnsworth

If you would like to own this painting, please visit the Terms and Conditions.

I chanced across this little village on my back to Taos following the branding on Rowe Mesa, at the beginning of my travels in Betsy. It was for a while an important Pecos River Crossing on the Santa Fe Trail. Today it small, quiet town; the home, I believe, of Russel Means, aleader in the American Indian Movement of the 1960s.

Several days ago, Thea noticed sounds coming from the attic. Soon the sounds grew to the point of sounding like a bowling alley upstairs. Except that there are no stairs. Then we began to hear Meowing coming from the attic. We heard that some cats had died of Plague on the other side of Taos, so we decided it was time to get them out of there. Thea called animal control, and a deputy sheriff came out, climbed up on the roof, and braved the 120 degree or worse heat to go in and get the cats out. There were none. They must have left for the day. He sealed off the door that had apparently been left open by the satellite dish installer. All done. We thought. That evening, the sounds resumed. We called him back, and he discovered the problem. Our house was originally a flat roofed adobe. The roof consisted of a foot or two of earth on top of pine planks, lain across vigas, or log beams. Then, sometime in the fifties, a rather primitive pitched tin roof was built above the flat roof, creating a small attic space, running the length of the long, narrow house.

About that time, a false ceiling was added in the bedroom, by attaching compressed fiber tiles to cross pieces nailed to the bottoms of the vigas That created a shallow, second attic beneath the first.  A kitten had somehow become trapped in this space, and abandoned by its mother and siblings. The deputy left food and a trap in the attic, but apparently the kitten couldn’t get to it. The noise continued through the night. We weren’t sure how much longer the kitten could survive in the heat and the dark, and with no food or water.

This morning, when I got out of bed, in the other end of the house, where our bedroom now is, I heard the sounds of an electric reciprocating saw coming from the former bedroom, now guest room where the mewing had been coming from. Thea was up on a step stool with saw, chisel and hammer, determined to create an opening into the false attic. She got it open and we made a makeshift ramp for the cat to come down, but it required a jump of six or eight inches. I could coax him to the edge of the hole, and see him looking down, measuring, then backing off, repeatedly. Thea put out a dish of tuna to tempt him. The meows turned to howling and louder meowing.

I put a piece of the tuna at the edge of the opening, and spaced a few more pieces down the ramp. Nothing. Just loud, continuous crying.

I went outside and got some branches to make a “tree” for him to climb down. Then I took a slender branch, rubbed some tuna on the tip, and began wiggling it around in the opening. Pretty soon, I saw a tiny paw reach out for it. Then another, and then the kitten slipped and came sliding down the ramp. Thea picked him up and I knew it was over. Our family had just grown by a tiny, furry bit. We named him Atticus for obvious reasons.

I read somewhere the other day that all blogs turn into either politics or cat pictures. Well, here goes…

ATTICUS

ATTICUS

THEA WITH ATTICUS

THEA WITH ATTICUS

ATTICUS THE SNUGGLER

ATTICUS LOVES TO SNUGGLE

And so, life goes on. And it is grand!

PALMAS FLAMENCAS Daily Painting #411

Palmas Flamencas / Oil on Panel / 6 x 6 Inches / ©John Farnsworth

Palmas Flamencas / Oil on Panel / 6 x 6 Inches / ©John Farnsworth

Bidding has ended. If you missed bidding on this or any of our other daily paintings, be sure to visit our Collectors’ Exchange page. Your favorite could still be available.

If you enjoy these daily paintings, please give us a hand. Spread the word. Tell someone you know, friends, family, and colleagues, about A Farnsworth A Day. They will appreciate your personal recommendation, and we will, too.

 

PUEBLO DANCE MOCCASIN Daily Painting #407

Pueblo Dance Moccasin / Oil on Panel / 6 x 6 Inches / ©John Farnsworth

Pueblo Dance Moccasin / Oil on Panel / 6 x 6 Inches / ©John Farnsworth

Bidding has ended. If you missed bidding on this or any of our other daily paintings, be sure to visit our Collectors’ Exchange page. Your favorite could still be available.

If you enjoy these daily paintings, please give us a hand. Spread the word. Tell someone you know, friends, family, and colleagues, about A Farnsworth A Day. They will appreciate your personal recommendation, and we will, too.

HOPI GOURD DANCE RATTLE Daily Painting #298

Come on over to the Collectors’ Exchange and share in the fun. See you there.

Hopi Gourd Dance Rattle / Oil on Panel / 6 x 6 Inches / ©John Farnsworth

Hopi Gourd Dance Rattle / Oil on Panel / 6 x 6 Inches / ©John Farnsworth

Bidding has ended. If you missed bidding on this or any of our other daily paintings, be sure to visit our Collectors’ Exchange page. It may still be available.

If you enjoy these daily paintings, please give us a hand. Spread the word. Tell someone you know, friends, family, and colleagues, about A Farnsworth A Day. They will appreciate your personal recommendation, and we will, too.